{"id":4577,"date":"2023-09-12T15:53:33","date_gmt":"2023-09-12T15:53:33","guid":{"rendered":"https:\/\/pinwyddstudio.com\/?p=4577"},"modified":"2023-09-26T07:42:19","modified_gmt":"2023-09-26T07:42:19","slug":"illustration-from-nature","status":"publish","type":"post","link":"https:\/\/pinwyddstudio.com\/fr\/illustration-from-nature\/","title":{"rendered":"Illustration fantastique \u2013 l\u2019homme Lichen"},"content":{"rendered":"
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Trouver l'inspiration dans la nature \n\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Illustration d'apr\u00e8s la nature: croquis et peinture avec le lichen comme r\u00e9f\u00e9rence<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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In this post I\u2019ll talk a bit about the Lichen man. This piece that turned out to be one of my favourites in 2022, albeit the technical and personal difficulties it forced me to face.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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In this post I\u2019ll talk a bit about the Lichen man. This piece that turned out to be one of my favourites in 2022, albeit the technical and personal difficulties it forced me to face.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Q: \u00c9tait-ce une illustration planifi\u00e9e?<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A: Not at all. This was a personal project, and I wasn\u2019t following any text or guidance.\u00a0 This piece in particular had to wait over a year from it\u2019s first sketch to it\u2019s completion. The sketch itself\u00a0 wasn\u2019t planned or studied in thumbnails, it was just something that came up on the page. And you might notice that my sketch here is exactly that: a sketch. Messy lines, no finishing touches, no fancy shading.<\/span><\/p>

C'\u00e9tait une situation tr\u00e8s diff\u00e9rente de ces autres illustrations<\/strong><\/span><\/a>, qui \u00e9taient une collaboration pour laquelle je devais suivre un texte et faire approuver les croquis.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Q: Allez-vous d'un croquis directement \u00e0 la pi\u00e8ce finale\u00a0?<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A: It depends. In this case it took four other studies before I came to something I thought I could transfer to a final paper. Each study corrected some details I wasn\u2019t happy with in the previous ones. I use a light table to do this, so I can retrace the parts I\u2019m happy with and then draw the rest in a different way.<\/p>

I fixed his sitting position, which took a while. I didn\u2019t need it to be anatomically precise, but I did want something that looked like proper legs and worked with the composition.<\/span><\/p>

For the background I used a photo I had taken in the woods, and I did some sketches of foxes to get the animal right, but I also didn\u2019t bother with making it too close to reality. <\/span><\/p>

Ce n'est qu'\u00e0 la derni\u00e8re \u00e9tape que j'ai ajout\u00e9 des d\u00e9tails plus complexes, comme les cheveux en lichen.\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Q: Comment avez-vous choisi la technique pour la version finale?<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A: I didn\u2019t choose so much as I made a mistake. I always thought of having it in colour, but I intended to set the values down with graphite and then colour over it with watercolours (if you\u2019re wondering how that works, regardez cette vid\u00e9o de smoothy77<\/a><\/strong><\/span>), ou sur Photoshop.\u00a0<\/span><\/p>

And then I used the wrong pencil to do the transfer \u2013 a wax based pencil instead of a watercolour one \u2013 which resulted in orange lines that wouldn\u2019t go away. Oh, well. In the end I had to use gouache to cover it up, and that\u2019s how it ended up being a gouache painting.<\/span><\/p>

To be honest I\u2019m much more confortable with dry media, and I prefer to set values, volumes and textures with either graphite or coloured pencils, and then use washes to bring up colour.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Q: Qu\u2019avez-vous ressenti en r\u00e9alisant que vous deviez repeindre?<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A: Well, it\u2019s how it goes when you\u2019ve done several hours of work and then realise the next step is basically going to erase all of it (I mean, not really, but I\u2019ll talk about that in a future post). Doesn\u2019t feel great, but at such a point you can either give up on the piece and start over (which I\u2019ve done several times before) or push through and finish anyway because you believe the final result will be worth it.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Q: \u00c9tait-ce une illustration planifi\u00e9e?<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A: Not at all. This was a personal project, and I wasn\u2019t following any text or guidance.\u00a0 This piece in particular had to wait over a year from it\u2019s first sketch to it\u2019s completion. The sketch itself\u00a0 wasn\u2019t planned or studied in thumbnails, it was just something that came up on the page. And you might notice that my sketch here is exactly that: a sketch. Messy lines, no finishing touches, no fancy shading.<\/span><\/p>

C'\u00e9tait une situation tr\u00e8s diff\u00e9rente de ces autres illustrations<\/strong><\/span><\/a>, qui \u00e9taient une collaboration pour laquelle je devais suivre un texte et faire approuver les croquis.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Q: Allez-vous d'un croquis directement \u00e0 la pi\u00e8ce finale\u00a0?<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A: It depends. In this case it took four other studies before I came to something I thought I could transfer to a final paper. Each study corrected some details I wasn\u2019t happy with in the previous ones. I use a light table to do this, so I can retrace the parts I\u2019m happy with and then draw the rest in a different way.<\/p>

I fixed his sitting position, which took a while. I didn\u2019t need it to be anatomically precise, but I did want something that looked like proper legs and worked with the composition.<\/span><\/p>

For the background I used a photo I had taken in the woods, and I did some sketches of foxes to get the animal right, but I also didn\u2019t bother with making it too close to reality. <\/span><\/p>

Ce n'est qu'\u00e0 la derni\u00e8re \u00e9tape que j'ai ajout\u00e9 des d\u00e9tails plus complexes, comme les cheveux en lichen.\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Q: Comment avez-vous choisi la technique pour la version finale?<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A: I didn\u2019t choose so much as I made a mistake. I always thought of having it in colour, but I intended to set the values down with graphite and then colour over it with watercolours (if you\u2019re wondering how that works, regardez cette vid\u00e9o de smoothy77<\/a><\/strong><\/span>), ou sur Photoshop.\u00a0<\/span><\/p>

And then I used the wrong pencil to do the transfer \u2013 a wax based pencil instead of a watercolour one \u2013 which resulted in orange lines that wouldn\u2019t go away. Oh, well. In the end I had to use gouache to cover it up, and that\u2019s how it ended up being a gouache painting.<\/span><\/p>

To be honest I\u2019m much more confortable with dry media, and I prefer to set values, volumes and textures with either graphite or coloured pencils, and then use washes to bring up colour.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Q: Qu\u2019avez-vous ressenti en r\u00e9alisant que vous deviez repeindre?<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A: Well, it\u2019s how it goes when you\u2019ve done several hours of work and then realise the next step is basically going to erase all of it (I mean, not really, but I\u2019ll talk about that in a future post). Doesn\u2019t feel great, but at such a point you can either give up on the piece and start over (which I\u2019ve done several times before) or push through and finish anyway because you believe the final result will be worth it.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\n\"\"<\/a>\n\"\"<\/a>\n\"\"<\/a>\n\"\"<\/a>\n\"An<\/a>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Q:\u00a0Quels d\u00e9fis avez-vous surmont\u00e9s dans cette pi\u00e8ce\u00a0?<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A: It helped me work through useless perfectionism. To me this is like a trap I can fall into\u00a0 when I put too much attention to detail. I absolutely love botanical and scientific illustration, but I\u2019m not a botanist nor a scientist. When I start going down that hole, trying to get details of natural elements right, it can consume hours of my creative time and leave me feeling frustrated. <\/span><\/p>

During this piece is when I decided my plants and animals don\u2019t have to look like any plants and animals anyone has ever seen. At least not exactly. They might remind the viewer of something they\u2019ve seen before, like a fox. But I\u2019m trying to be more free with my decisions and not get too attached to what an actual fox should be like. It certainly made the process a lot more fun.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Q:\u00a0Quels d\u00e9fis avez-vous surmont\u00e9s dans cette pi\u00e8ce\u00a0?<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A: It helped me work through useless perfectionism. To me this is like a trap I can fall into\u00a0 when I put too much attention to detail. I absolutely love botanical and scientific illustration, but I\u2019m not a botanist nor a scientist. When I start going down that hole, trying to get details of natural elements right, it can consume hours of my creative time and leave me feeling frustrated. <\/span><\/p>

During this piece is when I decided my plants and animals don\u2019t have to look like any plants and animals anyone has ever seen. At least not exactly. They might remind the viewer of something they\u2019ve seen before, like a fox. But I\u2019m trying to be more free with my decisions and not get too attached to what an actual fox should be like. It certainly made the process a lot more fun.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Des questions, suggestions, propositions? Envoiez-nous un message!<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Erreur\u00a0:<\/strong> Formulaire de contact non trouv\u00e9\u00a0!<\/p>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Illustration fantastique \u2013 la cr\u00e9ation d\u2019un personnage \u00e0 partir d\u2019un \u00e9l\u00e9ment naturel <\/p>","protected":false},"author":1,"featured_media":4575,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"gallery","meta":{"footnotes":""},"categories":[72,73],"tags":[],"class_list":["post-4577","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-creative-process","category-narrative-illustration","post_format-post-format-gallery"],"yoast_head":"\nIllustration from nature<\/title>\n<meta name=\"description\" content=\"Illustration from nature: How I used a simple natural element to create a character for an illustrated fantasy scene\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pinwyddstudio.com\/fr\/illustration-from-nature\/\" \/>\n<meta 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